#AdoptMent youth take personal stock

I’ve been reticent to blog about my work with the AdoptMent group because they’re a younger set and I’m more protective of their privacy. This is a transitional year, not just within the program, but also in the lives of each of these young people. In my first session with them this school year, we returned to the tasks of adolescent development, but instead of focusing broadly on the topic of identity, this time we talked about personal values and relationships, especially how to strike a healthy balance between independence and connectedness.

Last spring I used Zits comics to get the conversation started. We returned to two strips that dealt specifically with identity exploration, and was really pleased that they all retained the biggest lesson from last spring’s identity self-portrait activity, namely that at this early stage in life staying true to yourself is overrated, and identity crises are actually a healthy part of psychological development.

From that group review, everyone paired off with their mentors to discuss comic strips treating the developmental tasks related to autonomy, relationships, and values. The mentors had handouts that indicated the tasks displayed in each strip, but the mentees first had to work on inferring the topic from the material. The second step in the exercise was to reflect on how they were progressing in each of those tasks. I got to eavesdrop on a lot of wonderful stories about how these young people set up challenges for themselves (e.g., earning the money and planning transportation for a solo trip to New Jersey), and noted how their relationships to their parents were in transition

The final part of the workshop had everyone select one particular developmental task that posed a significant challenge to him or her. (more…)

A three-strand theory of love and attraction

“You can be in love and still have a life, you know? You can build something.”

Jennifer Egan, The Invisible Circus

One of the really brilliant aspects of Egan’s treatment of her protagonist’s coming of age is its depiction of teenage watchfulness. At 18, Phoebe reads the world and the people around her for clues on how to build a life and make connections. Unsurprisingly, romantic relationships are a particular point of fascination for her. Here is Phoebe, spying on her sister’s former high school sweetheart and his fiancée as they hunt through apartment listings in the paper:

Carla exclaimed at something she’d found, set down her cigarette and circled the item with a stubby pencil, her other hand groping for Wolf as if for a pair of glasses or a cigarette pack, finding his wrist without lifting her eyes from the paper. The gesture transfixed Phoebe—the inadvertence of it, the thoughtlessness. Wolf rose from his chair and leaned over her, his chest to Carla’s back. He kissed her temple, breathing in her smell while his eyes perused whatever it was she’d found in the paper. The sheer ordinariness of it all confounded Phoebe, as if any one of these things might happen several times a day, with no one watching. They belong to each other, she thought, and found herself awed by the notion—knowing someone was there, just there, reaching for that person without a thought.

Phoebe, trying to wrap her head around the difference between this calm vision of domestic partnership and the wild, youthful romance she saw Wolf share with her sister, asks him how those two relationships compare. He answers, You can be in love and still have a life, you know?

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Every woman should travel/live abroad alone

[For Autumn, on her current adventure] I’m in the middle of Jennifer Egan’s debut novel, The Invisible Circus, which is about an 18 year-old girl who takes off for Europe to search for the place her sister died. The account of her coming of age has gotten me reminiscing about my travels alone. I’ve already written about how finishing my dissertation and changing careers were two of the most significant rites of passage I’ve ever undergone. Prior to graduate school, however, traveling by myself and living abroad (not in the Philippines or the US) ranked highly on my list of transformative experiences. This is a story in four parts.

The US

To my mother’s great credit, she started instilling in me very early on the notion that I should go forth into the world intrepidly. Having seen how a sheltered childhood caused my sister to fear unfamiliar places and abhor being on her own, Mom took care to show me that traveling alone was nothing to be afraid of. (more…)

The Hidden Power of Character

I first heard about Paul Tough’s book “How Children Succeed” on this podcast. I distinctly remember listening to the interview about this book while on a long bus ride and scribbling Paul Tough on a piece of paper to remember for later. It was another book that made me feel energized and excited about the potential in this work.

One point that struck me was when he described how character traits, such as grit, social intelligence, and self-control, can function as a type of safety net for students who don’t have much support from their family or their community. For students who are growing up in chaotic homes and the challenges associated with living in poverty, they have had to develop character traits that help them succeed and that they can fall back on when times are difficult.

Young people in foster care who make it to college are part of a small group. When you look at how many continue on to earn their degree, the number gets even smaller. There is obviously something that these students develop that has allowed them to go through the traumatic experience that is foster care and continue to strive to reach their goals.

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Yes, I watch Girls

Judging by the reviews and blog comments, it’s a love-it-or-hate-it kind of thing, and I am definitely in the loving-it camp when it comes to Lena Dunham’s Girls, which recently wrapped up its second season on HBO. I really admire the strength of Dunham’s vision of who she is as a writer/director/actor. Read more…

Rites of passage in Goats

Goats (2012) is the film adaptation of Mark Jude Poirier’s debut novel. It’s a quirky coming of age tale that involves a 15-year old boy leaving home—although “home” for Ellis isn’t a safe and idyllic Shire, but a chaotic, dysfunctional family comprising his irresponsible and histrionic mother and his pot-loving mentor, Read more…

How’d you know?

Just a little over halfway through Lars and the Real Girl (2007), the titular character approaches his older brother, Gus, and engages him in a discussion about rites of passages. In the absence of any coming of age ceremonies, how did Gus know that he’d become a man? Gus stumbles over his answer, Read more…

Transitions to Adulthood: 2-day program for Youth Communication

I’m excited to share with you the overview of the program I’m running for Youth Communication. I’ve put together a workbook for the participants, with activity sheets and space for notes and freewriting.

TRANSITIONS TO ADULTHOOD:

YOUTH COMMUNICATIONS WRITING WORKSHOP 2012

Overview

This sequence of discussions is designed for a group of young people (ages 15 to 20) attending Youth Communication’s 2012 Summer Writing Workshop. In line with this year’s theme of identity, this two-day program gives participants a rich and structured context in which to explore their own passages to adulthood.

The underlying premise is that becoming an adult is not something that happens overnight (on your 18th or 21st birthday), but rather something that takes place gradually and not without some amount of heartache and hardship.

Together we will discuss the concept of adulthood, beginning first with major institutional definitions coming from the legal and scientific fields, and moving through developmental psychology toward cultural definitions in the realms of sociology and anthropology.

The goal is for participants to use this knowledge as a framework for formulating personal definitions of adulthood that resonate in their own lives, and also for generating stories for YCTeen or Represent.

Syllabus (more…)